But Captain Jean-Luc Picard's USS Enterprise was still populated by people who were either objectively perfect or perfection adjacent. This caused severe headaches for the writing staff of TNG, but by the show's third season they had largely figured out how to make it work outside forces could cause conflict, and while amorality within Starfleet itself was still more or less outlawed, incompetence within the organization ran rampant. Related: Without Star Trek: Deep Space Nine, There Would Be No Discovery Humanity was to have achieved utopia, and Starfleet was to be the best and brightest of that future paradise. Roddenberry believed that, by the 24th century, humanity would have shaken off essentially all the troubles of the 20th century that extended beyond just the erasure of poverty and war on Earth to the idea that conflict of any sort between humans - and especially Starfleet officers - was completely snuffed out. These rules were hinted at in Star Trek: The Motion Picture (the one Star Trek film where Roddenberry wielded creative control) and formed the foundation of Star Trek: The Next Generation. As the adulation around him grew, Roddenberry started becoming more philosophical about Star Trek's ambitions, retroactively applying strict thematic standards to the franchise that were never actually present in TOS.

Star Trek creator Gene Roddenberry had very specific rules about how 24th-century humanity was to be portrayed in his legendary science fiction franchise - rules that would be bent, and eventually broken, by Star Trek: Deep Space Nine.Īfter Star Trek: The Original Series was canceled after its third season in 1969, Roddenberry became a staple of the convention circuit, where he transformed from a television production grunt into a revered visionary.

Star trek creator roddenberry